![]() ![]() The three main characters, Vinz, Hubert and Saïd are subject to alienation and unrest due to their ethnic backgrounds. This event has a strong hold on the narrative of La Haine, and a similar event is the starting point of the film. Kassovitz started writing the film the day Makome M’Bowole, a young man from Zaire, was shot while in police custody. ![]() Mathieu Kassovitz’s 1995 film La Haine (HATE) plays with elements of power, poverty and conflict throughout the narrative. Narratively, when passing through a mirror in a film, we are entering a flipped state of mind, which means the characters are possibly doing something they wouldn’t normally do. But they can also be used to reflect a characters state of mind- when we pass through the mirror. ![]() Mirrors are also used in films as an illusion of reality, a window through time and space, a gateway to another wordy existence. They offer a chance to peer into the soul of a character, and often reveal things hidden in the background of a scene which we may have not seen before. Films have used the mirror as a narrative element for decades. ![]()
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